Drag to resize
All-Access for Collecteurs' Museum Circle Members
Course Archive
Art History
Hans Ulrich Obrist: Exhibitons on the Move
Art Making
Hank Willis Thomas: All Action Is Political
Art Market
Kenny Schachter: NFTism and You
Art Making
Kim Gordon: Experimental Creativity
Art History
RoseLee Goldberg: The New Art History
Art Making
A Session with Tino Sehgal
Art History
Daniel Birnbaum: Curating the Virtual
Art History
Isabelle Graw: The Value of Art Under Different Circumstances (Part 1)
Art Making
Constance Tenvik: Curiosity Killed the Cat
Art Market
Carl Kostyál: A Legacy in Tastemaking
Art Making
Slavs and Tatars: The Artist as Wise Fool
Art Making
Carla Zaccagnini: Messing with Museums
Art History
Adam Carr: The Art of Curating and The Curating of Art
Collecting
Magnolia de la Garza: Building the Coppel Collection
Art Making
Walead Beshty: To Be Human Is to Be in Aesthetics
Art Making
Kris Martin: In the Artist's Studio
Art Making
Kathryn Andrews - The Death of Looking: Artist as Brand
Art Making
Federico Herrero: The Periphery as Center
Art Making
Mario Ybarra, Jr: You Are Breathing In It...
Art Making
Fernanda Brenner: Autonomous Art Spaces
Collecting
Andrew Renton: Collecting as Practice - What Makes a Work of Art Work?
Art Market
Candace Worth: Who is Afraid of the Art World?
Art Market
Esther Schipper: Selling Art of the 21st Century
Art Market
Ana Sokoloff - Art Advisory Today
Collecting
Jack Kirkland: The Education of a Collector
Art Market
Isabelle Paagman: What Are Auctions? A Current Landscape
Collecting
Ellie Rines: Where to Start Looking for Talent
Collecting
Armando Cabral: Starting a Private Collection in a Globalized Art World
Collecteurs Academy
Collecteurs Academy is not an accredited educational institution.
Non-Accredited University Disclaimer